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Art, exhibition, Italy, Japan, Kan Pisa 2016, Kan Yasuda, Pisa, Studio La Noce, Studio La Noce Work, tag communication, Tag Communication Work, Toccare il Tempo, Tuscany

Designer and ORGANIZERS KAN PISA 2016 Toccare il tempo

Proud to have conceived, organized and made possible with Tag Commuicatio n this project to make concrete everything, being able now to say with enthusiasm that the exhibition was officially inaugurated Kan Pisa 2016 “Toccare il Tempo”.

The event began in the beautiful Piazza del Duomo and ends in the picturesque Balearic room where Scuola Tessieri along with Savini Tartufi products and Enoteca Marcucci delighted us with their products.

After the greeting to the councilor Andrea Ferrante culture, they intervened Ambassador Umberto Vattani, who after a long and distinguished diplomatic career is now president of the Fondazione Italia Giappone and the Japanese Ambassador in Italy Kazuyoshi Umemoto. Also present were other authorities, such as the regional director Antonio Mazzeo, and the commissioner of Pietrasanta Simone Tartarini. There were those in charge of institutions that have supported the event as prof. Franco Mosca, President of the Fondazione Arpa and Valter Tamburini, president of theCamera di Commercio di Pisa. The ribbon cutting of the mayor Marco Filippeschi opened the procession to the discovery of the master’s works Kan, also possible within the website created by Tag Communication.

I should mention also of those who have worked to make this possible, including our logistics partner DuoLogica Srl, Caparolcenter, L’Isola Verde – Erboristerie, Banca di Pisa e Fornacette, Violeta Boutique, Cooperativa La Serena.

01 Jul 16

By : studiolanoce-admin

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art exhibition, Italy, Japan, Kan Pisa 2016, Kan Yasuda, Pisa, press conference, Toccare il Tempo, Tuscany

Kan Pisa 2016 Toccare il Tempo 🇮🇹 🇯🇵

We’r proud to present Kan Pisa 2016 “Toccare il Tempo”

“My material, the marble is the material that occurs in the squares and monuments of Pisa which tells centuries of art and architecture. This is the time you want to touch and share and contaminate by my works. ” So Kan Yasuda explains the project that he is the protagonist and is an interaction, almost a contrast between its minimalism, which in art is reduced form the utmost simplicity and language essentials and the majesty of the Pisan monuments. With “Touch the time” the work of Kan is placed in these spaces as a living presence, almost sacred, for the purity of the forms that demands respect, contemplation, silence. The sculptures of Kan Yasuda establish a humble dialogue, subdued. In the admirable board of the city of Pisa this project places them as pawns to suggest to the visitor a silent game of questions and risposte. He tells the architect Marco Signorini, a founding member together with the architect Daniele Luci, the famous Studio La Noce, one of the creators of the show: “I saw Kan Yasuda work in the laboratory of George Angels Querceta. Levigava his return from an exhibition works and hit the elegance, lightness and perfection, finishing without realizing to caress both were smooth and shiny. His sculptures seem designed to honor the Marble Statuary, white material and bright that for centuries has art clothed architecture and sacred sculpture, as to be described in ancient Pietra Santa. ” An exhibition space waiting for visitors, among tourists and citizens. The exhibition “en plein air”, along an “art art route”, which comes to touch the sacredness of the Square of Miracles. The exhibition is organized by the Municipality of Pisa and the Arpa Foundation, in partnership with the Japan Foundation and the Italian Chamber of Commerce of Pisa. The event forms part of the initiatives of celebration of the 150th anniversary of the signing of the treaty of friendship and trade relations between Italy and Japan promoted by Italy Japan Foundation, and integrates with the opera “Madama Butterfly” at the Great Outdoor Theater Giacomo Puccini in Torre del Lago (29 July and 10 August 2016), with scenes of Kan Yasuda and costumes by Regina Schrecker.